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For queer kids – and Katy Perry – the only lip balm worth noting from 2008 was cherry flavored. That year, cherry ChapStick symbolized and sensualized bisexuality in a titillating and revolutionary way, every bit Perry, "so brave, drink in paw," detailed her fleeting, fruity lip-lock with a girl for a mainstream audience. (She liked it.)
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The 2d unmarried from her Capitol Records debut, One of the Boys, "I Kissed a Girl" was a far cry from the more wholesome fare of Perry'southward beginnings as a gimmicky Christian singer. Openly bisexual pop singer-songwriter and friend-to-Perry Bonnie McKee, who has co-penned Perry hits such every bit "California Gurls," "Teenage Dream" and "Roar" (other artists on McKee'south songwriting résumé: Britney Spears, Cher and Adam Lambert), first heard the flirty bop on Perry's Myspace. McKee was thrown by the song'southward bi-curious theme, and says she talked to Perry nearly its "surprising" content. She tells Billboard the topic is "kind of sensitive."
"It was on the heels of 'Ur Then Gay,' and that I thought was a little problematic," McKee says, referring to the promotional single from One of the Boys, which encourages a metrosexual man who'south "so gay and y'all don't even like boys" to "hang yourself with your H&K scarf."
Perry'south second queer-themed unmarried, "I Kissed a Girl," followed. "'I Kissed a Girl' seemed like a lesbian canticle at first glance," McKee continues. "I've heard it recently and was like, "Oh, man, this really is kind of problematic."
The song, co-written with Lukasz Gottwald, Max Martin and Cathy Dennis, writes off her same-sexual practice osculation every bit "not what good girls do," a lyric McKee says is "kind of full of shame." But, she adds, "knowing that she comes from a really conservative Christian background, information technology doesn't surprise me that the angle was, 'Oh, I'yard so rebellious.'"
Seven years after Perry released her eponymous Christian record, 2001's Katy Hudson (Perry's birth name), "I Kissed a Girl" had religious-conservatives blushing while bristling the hairs on the backs of a polarized LGBTQ community. Some were ecstatic over Perry's earworm; others reacted skeptically at what they'd perceived to exist a disingenuous, queer-trivializing marketing gimmick. Only for a child raised past evangelical pastor parents known for banishing Lucky Charms cereal from the family's breakfast tabular array equally the term "luck" reminded her mother of Lucifer, a story Perry told Rolling Stone in 2010, drunkard-kissing a daughter was, for Perry, not exactly in line with her Bible-leaning morals.
"The preacher's daughter was out in the real earth now," says Cathy Renna, a longtime LGBTQ activist who worked for GLAAD for 14 years, until 2003, "and existent life is not equally cut and stale as daddy may have told her."
"I Kissed a Girl" topped the U.S. Billboard Hot 100 chart for seven consecutive weeks, significantly raising Perry'south pop-star profile before her next anthology, 2010's Teenage Dream, ranked her in the same global hit-making league as Lady Gaga and Kesha (who cameos in the "I Kissed a Girl" music video).
"Funny how just 10 years agone 'I Kissed a Girl' was so naughty!" says Elvis Duran, out host of New York radio station Z100. "But, in true Katy fashion, it was a groundbreaking song. Not but was information technology fun, the lyrics fabricated her new fans curious to know more about her. It was bold. It was confident. It was in your face. Reaction was mixed, but it was refreshing to hear the conversations that followed."
A wave of heteronormative-defying female popular artists followed, their same-sex desires front end and center on mainstream radio: sometimes widening the crack in the door (Christina Aguilera's "Non Myself Tonight" and Demi Lovato's "Cool for the Summer," both winky), and more recently, swinging the closet door wide open up. Simply before openly bisexual performer Halsey sang a love vocal, "Strangers," with Fifth Harmony's Lauren Jauregui last year – and out singer-songwriter Troye Sivan mined uninhibited gay desire on "My My My!," and Hayley Kiyoko dropped her new album where she writes and sings about her existent-life lesbian experiences – queer kissing in popular music circa 2008 was novelty.
"The reality is that she was in many ways pointing out the fluidity of sexual orientation in a very sugary, pop way," says Renna. "Only you know what, we (didn't) talk about that at all, and the upside is always when they spark conversation. For young girls to hear something that is affirming and fun and upbeat about who they might exist is a positive in my book."
During an interview in 2012, she didn't recall it "appropriate" to reveal her past gay or straight experiences when asked. Reflecting on "I Kissed a Daughter," Perry explained that bisexuality was "on the tip of everybody'due south tongue pop culturally, fifty-fifty on television shows like Gossip Girl. "…It was condign more of an accustomed idea to exist bi-curious and to be bisexual. The song just took it over the border for the public in some ways, but I remember that anybody who saw a confusing bulletin in those songs ('Ur So Gay' and 'I Kissed a Daughter') was either looking for a fight or taking it completely out of context."
In February, Perry noted "a couple of stereotypes in it" – if the song was released today, she told Glamour, "I would probably make an edit" – but ascribed the vocal's queer clichés to existence written during a less-progressive time for the LGBTQ community.
"So much of it is brilliant," McKee says. "It'southward actually but a few picayune colorful phrases that could've been angled just a little differently. I think there was a way to write that song where it didn't take quite as much shame infused into it, but it got everybody talking about bisexuality, and I think that is very important."
Renna agrees it blazed a pregnant trail for queer inclusion: "Even with problemized language here and there, it actually did interruption ground, because at that time nosotros were just starting to see a generation of young people coming out who were less about being put in a box."
Since the single's 2008 release, Perry dedicated the video for her 2010 cocky-empowerment anthem "Firework" to the It Gets Meliorate Project, a global movement against harassment of LGBTQ youth, and has been honored with the Human being Rights Campaign's National Equality Award, in 2017. Final year, she unveiled a more politically engaged – and politically correct – version of herself, heard on "Chained to the Rhythm," from her latest album, 2017's Witness. Farther, gay Black Lives Affair activist DeRay Mckesson saturday down with Perry to discuss cultural appropriation.
"She'southward absolutely come a 1000000 miles and continues to abound, and I think that'due south really admirable," says McKee. "It's easy for people to stay in the bubble they grew up in, even if they get rich, and she's called to really aggrandize her horizons and become a amend person."
For out artists such equally Kiyoko, who told The Guardian in February that pursuing her own popular-music career seemed attainable only after hearing Perry sing most kissing another girl, the song's well-nigh important legacy is the one those very artists are currently living. Merely, still, "equally far as we have advanced in the by 10 years, in that location are nonetheless many miles to become," Duran says. "The bear on we enjoyed from its release dorsum then, we still depend on today."
Source: https://www.billboard.com/culture/pride/katy-perry-i-kissed-a-girl-10-years-later-8348403/
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